towards capacity

1. towards non-filmic objects

   slower time objects and objects that are left not to be objects

   how eye-objects and proposed non-eye eye-objects

   if so then towards non-eye subjects 

on subliminal

subliminal
range subliminal - disfunction
or malfunction or the territory
mapping the droppings out
or the circles around
flights of disjunctions
photographic as a total conjunction surface
so implementing (means: implementing some disjunctions or finding ways for such implementations
it’s the line of the correction to the sublime that leads to the set of disjunctive elements
so to step a step or half a step back is to make the ground attractive for those disjunctions
to make an attracting surface
to construct it raw but not raw as in the sense of not done
but more like in the sense of overdone but not done enough

on photograph

photograph as a triggering machine


more like readymades or found object




but here they are images of those objects




being hold in the specific situation with a specific light condition




then those elements are to be re-distributed (along what lines?)




on canvas like placement


area of placement is limited and is related to a page
spatial coordinates
it is related to a past medium or a future medium: the canvas, tv, a book fold and screen
image as of spatial objects hence more sculptural more like assemblage rather than collage
more like an installation rather than a painting
photograph as a triggering zone of desire
hence desiring zone
place for multitudes and constant different actions
place of differentiating and quoting
hence real hence surface with light with stable construction
within a stable perspective of a lens to be re-imagined but re-imagined through the process
so to be processed and to be constructed as the point in the process through all those multitudes of elements

works as surplus of laziness

of boredom
of procrastination
of no-action
of refuse and self-objection
of self but self which is not self but pure self tramped in web of labour
laboured self which is emptied of impulses and direct forces
of non-body of non-efforts
in catalepsy of no-movement of no-contemplation
but in a circle of starvation
in the circle of transparency and mutilation

on proposals

1. how something could be abstracted to some pattern
   
2. but in favour of program
   
3. not for the body
   
4. nor for the eye
   
5. but of the data

on proposals 2

images are taken in the field
not in the studio
it is an object which is in some sort of condition
some sort of position
that is to be taken from this position
and turned into proposal

on plane

how to embed detail?

empty / full

on proposals (field)

take a field
necessity of a field
abstract field or layer where everything is (detached)

on proposals (face)

categories
proximity

face
head

proximity

mimetics