towards capacity
towards non-filmic objects
slower time objects and objects that are left not to be objects
how eye-objects and proposed non-eye eye-objects
if so then towards non-eye subjects
on subliminal
subliminal
range subliminal - disfunction
or malfunction or the territory
mapping the droppings out
or the circles around
flights of disjunctions
photographic as a total conjunction surface
so implementing (means: implementing some disjunctions or finding ways for such implementations
it’s the line of the correction to the sublime that leads to the set of disjunctive elements
so to step a step or half a step back is to make the ground attractive for those disjunctions
to make an attracting surface
to construct it raw but not raw as in the sense of not done
but more like in the sense of overdone but not done enough
on photograph
- more like readymades or found object
- but here they are images of those objects
- being hold in the specific situation with a specific light condition
- then those elements are to be re-distributed (along what lines?)
- on canvas like placement
- how something could be abstracted to some pattern
- but in favour of program
- not for the body
- nor for the eye
- but of the data
- photograph as a triggering machine
area of placement is limited and is related to a page
spatial coordinates
it is related to a past medium or a future medium: the canvas, tv, a book fold and screen
image as of spatial objects hence more sculptural more like assemblage rather than collage
more like an installation rather than a painting
photograph as a triggering zone of desire
hence desiring zone
place for multitudes and constant different actions
place of differentiating and quoting
hence real hence surface with light with stable construction
within a stable perspective of a lens to be re-imagined but re-imagined through the process
so to be processed and to be constructed as the point in the process through all those multitudes of elements
works as surplus of laziness
of boredom
of procrastination
of no-action
of refuse and self-objection
of self but self which is not self but pure self tramped in web of labour
laboured self which is emptied of impulses and direct forces
of non-body of non-efforts
in catalepsy of no-movement of no-contemplation
but in a circle of starvation
in the circle of transparency and mutilation
on proposals
on proposals 2
images are taken in the field
not in the studio
it is an object which is in some sort of condition
some sort of position
that is to be taken from this position
and turned into proposal
on plane
how to embed detail?
empty / full
on proposals (field)
take a field
necessity of a field
abstract field or layer where everything is (detached)
on proposals (face)
categories
proximity
face
head
proximity
mimetics